i wuz thinking something like that (Knut/SRT)on top/tandem with some kind of Bachman
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Storrick Carabiner Friction Display sites strategies for placing some of the friction load on a carabiner strategy. i think bridging from the Distel to Knut is as easy as i can make it; especially if ya make the bottom, single hitch first and leave lazily loose, then work the top as to do Distel, and just throw the tail down thru that first hitch instead of completing Distel's last tuck under the "Z" bar.
i'll be redoing most the web pages and taking more suggestions on names and colors for maximum understanding. Really lost on what arbo lines to set for best contrast etc., then against what background for computer viewing; on a budget production. We tried quite a few more than woulda if payin for film for sure!
i'm all for consistent names, Frenchy/French Prusik i've picked up around some here, some TB, knot books, mountaineer, rescue books etc., some call a VT Frenchy too etc. The Double Round Turn i must apologize as my own description, so as to break apart for a standard double choke/4 coil Prusik as per original inventor, or the French Prusik(list of turns) or Tautline as all the same construction, different arraingements of the Double Round Turn. Uninterupted 3-4 coils for the 'newer' friction hitches(French prusik formation of Double Round Turn); broke apart in same direction/non opposing turns for Tautline (Round Turn over Round Turn in Clove formation); or broke apart in countering directions giving a flat, not "Z" bar like the 4 coil Prusik -a Round Turn, Round Turn opposing version of a choke with a sling; kinda a double death choking grip in my mental comics. Anyway Double round Turn is my base formation for all the fricton hitches, that i think covers more than prusik etc.; and therein possibly defines the operative element.
i think naming things correctly to function, so as to call out with the power of intention to command them by this 'handle' is very important in discussion to make sure all are on same page, but also the doing with focused intent to this thing/principal you call out. This calling properly with intent, even goes back to Biblical times; as Adam was granted mastery by all by naming everything; except "I Am, Who Am" that could not be named, he was not master of. The olde ones beleived an evil spirit could be called out and commanded if correctly named, as does modern psychology; some bartenders and hairdressers too i might imagine....
Especially when hinging; i'm naming the parts, and cutting with this focus of intent; of the principals (yeah i know wrong spelling, but i'm trying to use the French familiar tense..) i try to know. So, the names have to make some kind of sense i think, have the color of their power in some way(okay gravity bender instead of speedline is a lil far...); or association to base principal for wider understanding; to give more meaning to the calling out to use..
So the naming thing is important to me; even as i bounce different ones off people etc.; i always knew i would never be finished with site; and just finally did it for a certain date, rather than put it off anymore, or wait till perfect, cuz it never would be perfect enough to open! So am taking all suggestions; many have been helpful already; knude1 a freaking goldmine of info with his own 'update site' folder of ideas here. Even the sense of the real entymolgy etc. sometimes gives me this feeling of more concrete familiarity to call upon something purposefully.
Thanx-
:alien: :alien:
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Bachman Site Translated (click "Technique" Jumpword; back page, turn translator off, go to drop box for 3 more pages!)