Thanx a lot guys; but truly i enjoy the combined brainstorming of all, taking in other's experiences and testing them against my own. Specifically for me, that draws out these things that i have pounded deep, folding over on themselves; never quite assembling like this..........
"There is nothing to writing. All you do is sit down at a typewriter and open a vein." - Red Smith
Though there wood be some reduction in the fibre count in a center punch (or holding wood 'triangle' for supporting side leaner's pull to the opposite side on the hinge's axis), as rear most fibres where worked more flexing over frontmost. But, i'm not sure that it would be 8/1; not sure if that is what is being stated Stumper Man. But, in consideration of both topics, i have found that a center punch seems to reduce the amount of holding wood control on some side leaners. It seems that the center 'post' you are punching out is needed to leverage that control of the holding wood to the lean on the same axis to the opposite side or something. Just thought i should toss that warning in...........
i think that the question of flexibility of inside fibers of hinge is going to be (like a lot of things) situation dependant. i was taught that 'real' heartwood was stronger, but i think that it is less flexible in trade. i kinda look for dryness of facial portions, imagining that the 'livelier' wood is more flexible. Sometimes the center looks kinda dryer to me, i imagine this is like 'bonier'- stronger - but less flexible as i come up with a strategy; inspecting the clean face cut.
When using more controlled hinging, that depends on the flexiblity of the fibers to a max, this centerpunching can help in good wood. Of course, all this only makes maximum, witnessable sense delivering into a wide face, that would mechanically allow and test those flexing fibers. For by a wide facecut commanding that the flexxing fibres are not outrightly sheared free by the immense mass, momentum and leverage at the hinge slamming and closing early, then the flexxing fibers can work their magic through a wider arc.
i had some pines whisper me a lessoon that helped instill this about younger wood; a number of times; i had a pine swivel sideways somewhat. When i inspected stump for lessons on next cut (always do that, even in tree!), i would find a leathery stripe of bark line holding on one side and not the other, off balancing the pull right at the end. So, even there it seemed that the younger wood was more flexible. So now after cutting wide face; i circle the back of the tree, hinge corner to hinge corner. This eliminates this leathery stripe from developing,as i cut deeper than its incursion, but it also tests the straightness of the hinge & sawcut, tests the track for topical metal, and lays an even trail for the finishing cut. On that cut, i have more speed control, as i can go faster with that wood gone, as in center punching to back. i can always back off the gas to slow down, this just gives me more 'high' end.
Times that you rely on more fiber flexing for a given size and weight of tree is when it is leaning favorably 20 degrees rather than straight up. Where as the leaner is feeding into the pull of that jealous witch gravity, and will come over with a thicker hinge,as it could express it's weight and leverage in that direction earlier in backcut. Or when you use high leverage and pull to imatate that extra pull and move spar forward with the same amount of hinge as leaner. Or even lifting with wedge etc. into the face.
All this is to bring down things more controlled and gentler. Reducing damage, sprung over limbs, buried limbs, climbing, time etc. Like calculating one surgical motion that can take the place of many more assembled ones of varying risk. Also for fighting some backlean circumstances by shifitng the balance into the face confidentally. It also can deliver a lot of brush at the road nicely as you schedule that to happen with bigger pull downs through better control!
Gotta get more ink....................